First gifs done, I did an experiment with some coloured pencil shavings I stuck in my sketchbook the other week when brainstorming connections to “child” thinking about how children always create stuff and the mess they leave behind. I thought it would be funny to make the shavings move and made one where a bit of it rotates but finishing that I just felt like it didn’t move too much and the image as a whole was too static so I made another one that’s more twitchy and communicates better with the paper one I made just before.
Pencil shavings gif 1 and 2, Lisa 2017
It kind of looks like someone is moving the shavings around on a light box and I think it looks really nice: like someone fiddling with something.
Final one I managed to do today is another thread one. For this I pulled apart the yarn I had to create thinner strands of thread, mixed two colours and spun them around on a coloured piece of paper, scanning it as I went along. This gif is like a combination of all my words with the thread that I have been using for “old, the paper for “may” and the moving around for “child”. Twitchy and changing ripples basically. Wrinkles on a worried forehead, sound waves of a child screaming and the connections and intertwines of something old.
Wobbly gif, Lisa 2017
Five gifs done so four left now! I think it’s starting to come together.
Second proposal is the colourful, lego vibe-y one. Lots of yellow!! And I finally settled on blue as well to complement the yellow. Tried it out using red at first but just thought of food when I looked at it so I had to throw that idea away. So this idea uses different tones of yellow, one dark blue and one cyan and all the backgrounds are always coloured in and there’s no white space anywhere.
Concept 2, Lisa 2017
After meeting my client last week, I now know more about the bench and how it came to be, the designers he was inspired by when making it and the choices behind the materials:
- Can transport easily
- Minimal use of material
- Low skill production process makes it easy to produce
- The incorporation of oak makes it feel traditional
- Slim design
- Looks expensive but cheap to produce
- Surface board can change size
- Scandinavian feel
- Made for commercial spaces rather than homes
- Can be taken apart and packaged flat
Decided to develop some of my letterpress work into more refined outcomes so I made some posters out of them that reflect the Zero movement; focusing on repetition and the monochrome and creating light. The two last ones are developments of my own tests from a previous post where I made my own Klein inspired paintings.
Zero posters, by Lisa
I quite like these results! It’s a bit tricky to capture the design of the movement without making it look like copying but I feel like these both are zero and my own aesthetics at the same time.
I have been looking more into the zero movement and especially the works of Yves Klein. Klein was maybe the most experimental out of the people associated with the movement and the real motor, working a lot with performance, sculptures and experimental painting. He painted using his hands, people’s bodies, fire and was obsessed with blue as he saw it as the perfect colour.
Works by Yves Klein
I looked into Heinz Mack’s work more as well. He does installations, sculptural work, textures.. but the thing I am interested in the most is his work with lines and his passion for making vibration. Pretty abstract and strange sounding maybe, but looking at his work it makes more sense:
Having both my wave video and the built model of the pavilion, I put the two together in AE so you can see how the whole installation works. The waves will be projected onto the walls alongside some text that I have based my whole project on. As you walk through the pavilion you are surrounded by these huge walls that are 7-8 meters at their highest point, see the projections as you wander through it and also read the text to understand the purpose of it all. I want the experience to be like you are walking inside a crashing wave so scale is very important here and that nothing stands still.
Final DOOH- screen, by Lisa
The logo for my app came about with me approaching the work a bit differently than I normally do. I thought about what the logo would look like as an icon on the homescreen of an ipad before anything else and realised I wanted it to be really minimal in its expression because it has to work when being really small. It also had to reflect the app so what I did was to use a part of a scanned letter I did but cropped it so it’s only showing the edge of the paper and blackness of the photocopier but in a wavy way because I moved it around. And then I coloured it in pink and blue to go with the rest of the feel of the app, making it a bit Jessica Walsh inspired as well. The waves also link to the Thames and how London looks like from above, like a map. In this case, an extremely abstract map.
Logo for app, work by Lisa
I decided to use this wavy feature for the type in the logo as well as it reflects the app so well. My posters all have that wavy, bendy thing going on really accentuating the movement I created when scanning the letters, so picking up on that was a good way to go.
Logo tests, by Lisa
So I developed my bathtub idea further thinking about involving illustration and giving the campaign a very airy feel. Putting together this moodboard:
And picking up on some things in that I made a print of a bathtub that I thought I could use as seen below left.
The book Alexander Calder and His Magical Mobiles is a really pleasant read and full of quotes that I might use for my video. I haven’t given the text that much thought but I don’t want it to be too formal with only information so stealing some quotes from this book might be a good way to go. I’ve also looked into more of his style of painting and think I can use that as well for my project. Initially I wanted to write things out with wire to represent his wire sculptures but I think I’ve changed my mind- I want more colour.
Really like this print (to the right) and how much it feels like Calder. Using that somehow!
Alexander Calder, originator of the mobile, was an American sculptor that managed the art of combining elegant with quirky. His mobiles are both adult and childish at the same time, every one of them having a personality of their own – making them easy to love for a wide range of people.
In my pastiche of him I will aim to capture his playfulness and simply the way in which he had fun when making his mobiles and his art, enjoying his work. The technique I will be using is either stop motion or purely digital. Or maybe filming his mobiles and how it moves, maybe placing it in different environments to see how it changes. Pretty undecided basically! I will have to see where this project takes me.
The one think I do know though is that my colours for this will be blue, red, black and white. Think lots of circles and plenty of black lines moving about. Up and away!