For the workshop next week that’s going to be spent in the darkroom, I have been looking into photograms and what you can do with that technique. Man Ray is very much a favourite, his images are so varied too ranging from very abstract to very concrete with the images being very low contrast which makes them very poetic. My favourite one is definitely the hand because it looks so alien and nice!
After meeting my client last week, I now know more about the bench and how it came to be, the designers he was inspired by when making it and the choices behind the materials:
- Can transport easily
- Minimal use of material
- Low skill production process makes it easy to produce
- The incorporation of oak makes it feel traditional
- Slim design
- Looks expensive but cheap to produce
- Surface board can change size
- Scandinavian feel
- Made for commercial spaces rather than homes
- Can be taken apart and packaged flat
This project means working for a client and creating designs that present their work in the best way, so a bit more straight forward than the previous studio brief as this needs to feature an object and make it communicate in an appropriate way. My piece is a bench that could also function as a table and can be made longer or shorter by adjusting the length of the seat. The whole thing is made out of wood- french oak for the legs and birch ply for the seat and has a very sleek, streamline appearance.
After looking into what more things/ graphics you could do with tape because I thought I hadn’t explored it enough I found these images of how some exhibitions have used it:
Tape inspiration, Lisa 2017
I thought that we could do something similar when hanging work. In this sketch I did we were still into the idea of using coloured tape as wayfinding so I thought we could use that for the hanging as well but for the final idea I swapped the coloured tape for white tape so as to fit our theme better.
Child! Children are crayons. Because crayons are something you use (or at least I did) throughout your childhood but then you don’t anymore. Children are also movement, never sitting still, puzzles, colour, shapes and not thinking too hard about the world they inhabit. Wrote down ideas and connections to “child” and then went full on crayon mode as seen below.
Crayon sketches and tests, by Lisa
After seeing Ella’s ideas on different types of materials we could use for the show, I started looking into cork more as it is sturdier than the cardboard we first discussed but still being light and easily manipulated. Turns out there are many different kinds of cork! Well mostly different thickness but that opens up for lots of new possibilities. When I think of cork I think of trivets and notice boards but if the cork is suddenly only 2mm thick, it’s more like fabric which is kind of cool. So we could have the same material in different thickness and use it for different types of furniture solutions.
Sketches, by Lisa
Looking more into GIFs! Something I hadn’t really thought about making gifs using photography but finding artists like Francois Beaurain (below and featured image) I’ve decided it’s something I’m going to use for my gifs as well cause it’s super cool. Just can’t stop staring at it.
Ben Branagan, Inca Starzinsky and Sophie Smallhorn- 3 practitioners I discovered today and not being able to decide who to write about I decided to do all three.
Ben Branagan is a south London based artist and designer making really interesting collages using found photography or pictures he’s taken himself, cutting out and overlapping images to create a sort of surreal vibe where you are looking into several dimensions at once.
Looking into type for the show I think a good way to go about it would be to make our own typeface for it. That way it’s original, can relate to the style of the exhibition better and we don’t have to think about copyright stuff. Incorporating cardboard and gaffa somehow in the typeface (either that we make it out of the materials or use it as markmaking, printing with the cardboard or drawing with it maybe) would tie the design together and would make it really personal to the show.
I found some nice inspiration for this, my favourite work being that of Kellenberger- White for the Glasgow Festival of Visual Art 2014.
The first thing I started to consider when thinking about ideas for the show was how the space looks. As we already know where the exhibition will take place and the conditions we will have to work with, honestly all I could see were problems. How are we going to cover up that door, how are people going to understand how to navigate in a place where I myself have lost my way several times, can we use the ugly lockers in the narrow corridor to our advantage somehow or will they just have to stay an ugly element in the show, how can we make the dark and stuffy 2nd floor feel lighter and bigger etc.. Our exhibition space kind of bummed me down a bit but realising that it is what it is and that there is one big advantage with it (no more carrying heavy furniture to another place) I began researching ways to make the space work.
What it needs is:
- bold designs