My third concept is more about how you use the bench. Different ways you could sit on it, stand on it, lie down on it. I thought about how Charles and Ray Eames had a very playful relationship to their furniture pieces when photographing them and wanted to do something similar for this.
Concept 3, Lisa 2017
Working more on my ideas for the three concepts I got very into doing something that incorporated nature in some way and started sketching ideas that included the material more- so birches, leaves and oak trees but it wasn’t really working. It kind of felt too light and dainty but in the same way too messy as well. So I looked a bit at the designers that my furniture student found inspiring: Konstantin Grcic and George Nakashima. Nakashima makes pieces that focus heavily on the material used, so a tabletop could actually look like it was just chopped down from the tree.
For the workshop next week that’s going to be spent in the darkroom, I have been looking into photograms and what you can do with that technique. Man Ray is very much a favourite, his images are so varied too ranging from very abstract to very concrete with the images being very low contrast which makes them very poetic. My favourite one is definitely the hand because it looks so alien and nice!
Man Ray Photograms
This project means working for a client and creating designs that present their work in the best way, so a bit more straight forward than the previous studio brief as this needs to feature an object and make it communicate in an appropriate way. My piece is a bench that could also function as a table and can be made longer or shorter by adjusting the length of the seat. The whole thing is made out of wood- french oak for the legs and birch ply for the seat and has a very sleek, streamline appearance.
After an intense brainstorming and idea day last Friday I have a lot of concepts for both “child” and “may” but not really any more for “old” which was the first word I started to think about. What I have is the research I did with lines and string but I don’t know how I am going to make it into gifs or if all my gifs for that word should be line based. I also keep going back to thinking about how all the gifs will look together and how they will relate when the words are so different and will be made in different ways. It’s blocking me a little bit.
Opting for the “just do something and see where it goes”- technique, I put needle and thread to paper and just started doing. These are the yarn sketches I made and the things I learned from doing it:
Embroidered sketches, by Lisa
Looking more into GIFs! Something I hadn’t really thought about making gifs using photography but finding artists like Francois Beaurain (below and featured image) I’ve decided it’s something I’m going to use for my gifs as well cause it’s super cool. Just can’t stop staring at it.
Ben Branagan, Inca Starzinsky and Sophie Smallhorn- 3 practitioners I discovered today and not being able to decide who to write about I decided to do all three.
Ben Branagan is a south London based artist and designer making really interesting collages using found photography or pictures he’s taken himself, cutting out and overlapping images to create a sort of surreal vibe where you are looking into several dimensions at once.
Looking into type for the show I think a good way to go about it would be to make our own typeface for it. That way it’s original, can relate to the style of the exhibition better and we don’t have to think about copyright stuff. Incorporating cardboard and gaffa somehow in the typeface (either that we make it out of the materials or use it as markmaking, printing with the cardboard or drawing with it maybe) would tie the design together and would make it really personal to the show.
I found some nice inspiration for this, my favourite work being that of Kellenberger- White for the Glasgow Festival of Visual Art 2014.
Diving further down into my three words, I decided to explore other ways to make them visual and began playing around with stamps and letters to see where that led me.
For this, I started to write the single word first somewhere on the paper and then developing it into something else after reading the word over and over and capturing what I felt while reading it. I thought it would be good to see what associations I made after actually constructing the word myself, putting the letters down with my own hands.
Today I have been working with kinetic typography and making a video reflecting my movement. Started out by researching kinetic typography and found the Swiss designer Dominique Schmitz very inspirational. Similar to the Zero movement his work is full of lines and overlapping elements creating vibration and movement and I especially liked these two seen below. Even the colours are right. Initially I wanted to create something like the left example as it feels like a modern spin on what I am looking into but then I started thinking about type as image and got more interested in how I could use type to create pictures and started sketching with the letters I, Z and O.
Work by Dominique Schmitz