Going back to my physical portfolio, I thought maybe the poster idea with a red poster combined with coloured smaller images on the back of it might not work. I wanted the printed portfolio to match the online one but it just felt too scattered. I wanted it to be more coherent, and a thing you could pick up and flip through. SO I thought I could make a book that was completely red but with coloured posters stuck inseide that you could take out.
Having good, high quality photographs of your projects I think is probably more important the the layout and design of your portfolio. Photographing your work lets you put it into context and show it off from its best side and I think looks way better than mocking something up digitally because that is so easy to do. Putting together my portfolio I realised that I didn’t have any nice images of my projects (because I don’t like the hassle of setting up the photostudio and taking time to photograph something well) so this became first priority.
I’ve discovered I find it difficult to find portfolio websites that I like. They all tend to look too graphic-y and shiny and same same. I absolutely hate it when the images span over the whole page and you have to scroll forever to get an overview and I don’t like clicking through loads of options to get to a project because that means you always have to go back to see another project. I also don’t like it when the projects only have names and not images from the start because when I then choose to click on the name and I don’t find the project interesting, that was an unnecessary click.
Working more on my ideas for the three concepts I got very into doing something that incorporated nature in some way and started sketching ideas that included the material more- so birches, leaves and oak trees but it wasn’t really working. It kind of felt too light and dainty but in the same way too messy as well. So I looked a bit at the designers that my furniture student found inspiring: Konstantin Grcic and George Nakashima. Nakashima makes pieces that focus heavily on the material used, so a tabletop could actually look like it was just chopped down from the tree.
Posters for the gifs! Something I hadn’t really thought about at all until last week. Trying to get some ideas I started out sketching small images of different layouts I thought could work. I liked the images but couldn’t get the type right so I started experimenting with the type instead to see if I could get anywhere with that. Well, I didn’t. Thinking about movement, repetition and layering I tried drawing type, collage, cutting up type, blurring type, stitching. Didn’t like any of it. The only one I did like was the “may” in blue and yellow, however when I tried the same technique for the other words it just looked really gross.
Sketches for posters, Lisa 2017
This workshop was about collecting research and recording a place quickly through a number of different mediums such as drawing, writing, listening and photographing things and people. Fast paced and quite intense. With this collected research the objective was then to combine all the information and display it somehow visually. My group decided to go to Spitalfields market and on our way there kind of divided tasks between us (with some overlapping) which meant that when we got there we just kind of split up, wandered around and sometimes connected again to see what we had done.
I don’t very much enjoy making posters. I think it’s because I feel like the one I do has to be AMAZING and represent the subject perfectly and in a fun and creative way and still be able to extract information from it. Way too much pressure in just one artwork ha.
Over two sessions I’ve been experimenting with making quick analogue posters by drawing with different tools and then overlaying that with cut out text and photocopying it to make it all come together as a flat piece. The drawing/markmaking I really enjoyed as it was all about creating marks quick and not having the time to worry about what line you were going to draw next. The motif I chose was a painting of Andy Warhol by Basquiat that I saw at the exhibition at the Barbican last week so lots of faces on my outcomes.
Ben Branagan, Inca Starzinsky and Sophie Smallhorn- 3 practitioners I discovered today and not being able to decide who to write about I decided to do all three.
Ben Branagan is a south London based artist and designer making really interesting collages using found photography or pictures he’s taken himself, cutting out and overlapping images to create a sort of surreal vibe where you are looking into several dimensions at once.
Diving further down into my three words, I decided to explore other ways to make them visual and began playing around with stamps and letters to see where that led me.
For this, I started to write the single word first somewhere on the paper and then developing it into something else after reading the word over and over and capturing what I felt while reading it. I thought it would be good to see what associations I made after actually constructing the word myself, putting the letters down with my own hands.
Placing conversations in the places I found them may not be working out for me. These images are two of my outcomes and I liked the result for about three days but now, not so much. I feel like I need to develop this idea more because it is just too one dimensional. The photographs aren’t really working as I would like them to because of the poor quality of my camera and the visuals doesn’t seem inventive enough.
First outcomes for app, by Lisa
So, I have decided not to do the photographs like this. Instead I want to make my app more focused on type and text, perhaps with a few images as well but very abstract and made from cut out paper like what I did in this post because I enjoyed that very much. I want to incorporate poetry more somehow and make the conversations communicate more by themselves.