For hand in, we decided not to Riso the whole magazine as it wouldn’t be cost effective when only doing three, so basically everything that is meant to be black (except for the collage bit) we printed digitally and the colour bits were Riso’d. A few problems emerged along the way though. Firstly, setting up the InDesign document was kind of a pain because of the way we have designed it. Because we have split it up into sections, every section had to be ale to be divided into 4 so it works printing it in separate booklets that we then put together.
Just before I went to print my pager, I changed my cover a final time after a series of tests because I wanted to incorporate more of the light aspect of the Zero movement. So I took some experimental photos of the shadows created when lifting the cut out pattern I did a couple of weeks ago and really liked how they turned out so I decided to use that. Playing around with how to place it I eventually made up my mind on a design and stuck with it. The problem I have had with the red bit in the pager I tried to solve by taking the red completely off and focusing on grey instead so I did some tests with a drawing I did a couple of days ago where I using my fingers, created shadows on silver lines so the image looked like waves. Tried to place it in my layout in several different ways but none of them felt right so I ended up deleting that image completely and instead using the cut out pattern I used for the cover so they link.
Cover trials and layout decisions
And this is the final design:
In building my model I thought about giving it some texture to encompass the watery wave-y feel and looked up paper art and ended up in a Flickr group that displays paper folded in curvy folds. Got really inspired and tried it out myself!
Paper folding tests by Lisa
Admittedly a bit tricky and requires some patience but definitely something that will be useful in building my pavilion to give it more life. Fun as well! I could also think about combining this with cutting patterns in the paper and maybe having a light source inside the sculpture kind of so it glows.
Last workshop was about type, more precisely looking at how letters are constructed and how we can manipulate them. Through drawing, painting, cutting and photocopying I spent a day immersed in creating different variations of t, y, ! and ?. Y quickly became my favorite to work with, whereas the exclamation mark didn’t inspire me at all. An intensely fun day that gave me lots of ideas on how you can work more with letters to create interesting and beautiful results. Below are some of my outcomes.
First- scanned letters (that I moved around whilst scanning) and then continued working on in Photoshop to create these images:
Type experiments by Lisa
Second- folded and cut out letters assembled in different ways, photographed and edited in Photoshop.